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1922 Max Bygraves (Tulips from Amsterdam) 1937 Emile Ford (What do You Want to Make those Eyes at Me For) 1942 Dave Lovelady (Foremost) 1943 C.F. Turner (Bachman Turner Overdrive) 1947 Bob 'Ace' Weir (Grateful Dead) 1953 Tony Carey (Rainbow) 1960 Gary Kemp (Spandau Ballet) 1962 Flea (Red Hot Chili Peppers) 1969 Wendy Wilson (Wilson Phillips)
Deaths On October 16
1969 Leonard Chess (founder of Chess records)
Number 1 In The Charts On October 16
1959 Bobby Darin: 'Mack the Knife' UK 45 1976 Pussycat: 'Mississippi' UK 45 1976 Rick Dees: 'Disco Duck' US 45 1976 Stevie Wonder: 'Songs in the Key of Life' US LP` 1993 Meat Loaf : Bat Out Of Hell II - Back Into Hell: UK LP 1993 Garth Brooks : In Pieces ; US LP
Various Music Events On October 16
1959 Eddie Cochran hits UK chart with 'Something Else'
1962 Motown launches two-month package tour of US in Washington DC, featuring Miracles, Mary Wells, Supremes, Marvin Gaye and Little Stevie Wonder
1964 Kinks release 'All Day and All of the Night' in UK
1968 Nina Simone's 'Ain't Got No - I Got Life' hits UK chart
1972 Creedence Clearwater Revival split up
1976 Hall and Oates debut on UK chart with 'She's Gone'
1976 Joan Armatrading debuts on UK chart with 'Love and Affection'
1982 Wham! Debut on UK chart with 'Young Guns (Go for It)'
1986 Chuck Berry's 60th birthday party (organised by Keith Richards) takes place at Fox Theatre, St. Louis
1992 As a reaction to herripping up of a picture of the Pope, Sinead O'Connor is booed off the stage at a show honoring Bob Dylan at Madison Square Garden.
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- Retro Rebirth
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1947 Barbara Mason (Yes I'm Ready) 1959 Kurtis Blow (disco DJ/singer) 1963 Whitney Houston (Saving All My Love for You)
Deaths On August 9
1973 Steve Perron (writer for ZZ Top) 1995 Jerry Garcia
We Miss You Jerry!
Number 1 In The Charts On August 9
1967 Scott McKenzie: 'If You're Going to San Francisco (Be Sure to Wear a Flower in Your Hair)' UK 45 1969 Jethro Tull: 'Stand Up' UK LP 1975 Typically Tropical: 'Barbados' UK 45 1975 Bee Gees: 'Jive Talkin'' US 45 1980 Abba: 'Winner Takes it All' UK 45 1980 AC/DC: 'Back in Black' UK LP
Various Music Events On August 9
1957 Paul Anka debuts on UK chart with 'Diana' while still only fifteen. The single goes on to spend nine weeks at No. 1
1963 Influential pop TV show 'Ready, Steady, Go' begins and runs until 23 December 1966
1964 Bob Dylan and Joan Baez sing together officially for first time in a concert at Forest Hills, New York
1967 Small Faces hit UK chart with 'Itchycoo Park'
1969 Actress Sharon Tate and four others are victims of bizarre night of murder as Charles Manson and friends run amok
1975 Eagles hit UK chart for the first time with 'One of these Nights'
1977 EMI Records sign Tom Robinson band, the label's first venture into New Wave since Sex Pistols
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- Retro Rebirth
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1931 Ramblin' Jack Elliott (blues singer) 1942 Jerry Garcia (Grateful Dead) 1943 Denis Payton (Dave Clark Five) 1946 Boz Burrell (King Crimson/Bad Company) 1951 Tim Bachman (Bachman-Turner Overdrive) 1953 Robert Cray (US blues singer/guitarist) 1958 Robert Buck (10,000 Maniacs) 1960 Joe Elliott (Def Leppard) 1964 Nick Christian Sayer (Transvision Vamp) 1964 Adam Duritz (Counting Crows)
Deaths On August 1
1964 Johnny Burnette (Dreaming)
Number 1 In The Charts On August 1
1963 Elvis Presley: 'Devil in Disguise' UK 45 1964 Beatles: 'A Hard Day's Night' US 45 1970 Elvis Presley: 'Wonder of You' UK 45 1981 Shakin' Stevens: 'Green Door' UK 45 1981 Rick Springfield: 'Jessie's Girl' US 45 1987 Los Lobos: 'La Bamba' UK 45 1987 Bob Seger: 'Shakedown' US 45
Various Music Events On August 1
1953 Orioles' 'Crying in the Chapel' (later recorded by Elvis Presley) hits US R&B chart.
1960 Aretha Franklin records her first pop sides, 'Right Now, Today I Sing the Blues, Love Is the Only Thing and Over the Rainbow' in New York, with John Hammond producing
1960 Chubby Checker sparks a new worldwide dance craze as 'The Twist' hits the American chart
1963 Beach Boys debut on UK chart with 'Surfin' USA'
1970 World premiere of Mick Jagger's 'Performance'
1971 Concert for Bangladesh featuring George Harrison, Eric Clapton, Ringo Starr, Billy Preston and Bob Dylan, held at Madison Square Garden
1974 'International Times' publishes its last edition in London. It was Europe's first underground paper when founded in 1966
1987 Dave Stewart (Eurythmics) and Siobhan Fahey (ex-Bananarama) marry in France.
1989 Eric Clapton plays a free charity concert in Mozambique, Africa for more than 100,000 people.
1994 The Rolling Stones begin their 43 city Voodoo Lounge world tour at RFK Stadium in Washington, D.C.
1996 MTV launches another channel, M2.
Have a groovy vintage retro day!
- Retro Rebirth
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1935 Cleveland Duncan (Penguins) 1945 Dino Danelli (Young Rascals) 1946 Andy McKay (Roxy Music) 1947 David Essex (Gonna Make You A Star) 1947 Tony Joe White (Groupie Girl) 1950 Blair Thornton (Bachman Turner Overdrive) 1961 Martin Gore (Depeche Mode) 1964 Tim Kellett (Simply Red) 1965 Slash (Guns N'Roses) 1970 Sam Watters (Color Me Badd) 1971 Alison Krauss
Deaths On July 23
1979 Keith Godchaux (Grateful Dead)
Number 1 In The Charts On July 23
1964 Beatles: 'A Hard Day's Night' UK 45 1969 Rolling Stones: 'Honky Tonk Woman' UK 45 1977 Donna Summer: 'I Feel Love' UK 45 1977 Barry Manilow: 'Looks Like We Made It' US 45 1983 Paul Young: 'Wherever I Lay My Hat' UK 45 1983 Yazoo: 'You and Me Both' UK LP 1983 Police: 'Synchronicity' US LP 1994 Rolling Stones : Voodoo Lounge : UK LP
Various Music Events On July 23
1955 Ad in 'Billboard' announces release of Chuck Berry's 'Maybellene, described as 'fine jockey and juke wax'.
1966 'Yardbirds' LP hits UK chart
1969 Blood, Sweat and Tears go gold with 'Spinning Wheel'
1977 Carly Simon hits US chart with James Bond film theme 'Nobody Does It Better', her fourth Top 10 single
1983 Police's 'Wrapped Around Your Finger' hits UK chart
Have a groovy vintage retro day!
- Retro Rebirth
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1940 Phil Lesh (Grateful Dead) 1941 Mike Love: (Beach Boys) 1944 Sly Stone (Sly & the Family Stone) 1946 Howard Scott (War) 1947 Ry Cooder (US blues singer/guitarist) 1955 Dee Snider (Twisted Sister) 1962 Steve McCoy (Dead or Alive) 1962 Terence Trent D'Arby (If You let Me Stay)
Deaths On March 15
1959 Lester Young (jazz saxophonist)
Number 1 In The Charts On March 15
1969 Cream: Goodbye UK LP 1969 Tommy Roe: Dizzy US 45 1975 Led Zeppelin: Physical Graffiti UK LP 1975 Olivia Newton-John: Have You Ever Been Mellow US LP 1980 Fern Kinney: Together We Are Beautiful UK 45 1986 Starship: Sara US 45 1997 U2 : Pop : UK LP
Various Music Events On March 15
1956 Colonel Tom Parker becomes Elvis Presley's manager
1957 Frankie Lymon and the Teenagers arrive in UK for tour
1972 Radio station KHJ in Los Angeles is raided at 7 a.m. Police were called by the station's fans who thought there must be something amiss as Robert W. Morgan played Donny Osmond's Puppy Love over and over again from 6 a.m.
1978 American Hot Wax (story of a week in the life of DJ Alan Freed) premieres in New York.
1980 Rude Boy film, starring the Clash, premieres in London.
1980 Rush's Spirit of Radio hits UK chart.
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-Stereo
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Psychedelic pioneers, the Grateful Dead were the most improvisatory of all major rock groups. From the late 1960's until the 1995 death of guitarist, singer/songwriter Jerry Garcia, the Grateful Dead played roughly 2,300 long, freeform concerts that touched down on their own country-, blues-, and folk-tinged rock songs, and on a similarly wide range of cover versions. Though Grateful Dead albums tended to sell a dependable 250,000 copies and the group had one Top Ten single in "Touch of Grey," the Dead's approach to music emphasized live performance, community, and the fungibility of recorded music over album sales and radio airplay. The band also spawned the jam band movement, which would come to include bands like Phish, String Cheese Incident, and Blues Traveler who carried the psych-noodling torch to subsequent generations.
Nearly as famous as the band itself were the legions of "Deadheads" — predominantly white 18- to 24-year-olds who have lovingly preserved the era that spawned the Dead by emulating their Summer of Love predecessors' philosophy and that period's accoutrements: tie-dye clothing, hallucinogenic drugs, and the Dead's music. These fans supported the band with an almost religious fervor, following the group around the country, trading tapes of live concerts (something the band allowed as long as it wasn't for profit, providing prime spots for tapers at shows), and providing a synergy between band and audience that was unique in rock. In true psychedelic style, the Grateful Dead preferred the moment to the artifact — but to keep those moments coming, the Dead evolved into a far-flung and smoothly run corporate enterprise that, for all its hippie trimmings, drew admiring profiles in the financial and mainstream press.
Lead guitarist Jerry Garcia took up guitar at 15, spent nine months in the Army in 1959, then moved to Palo Alto, where he began his long-standing friendship with Robert Hunter, who late became the Dead's lyricist. In 1962 he bought a banjo and began playing in folk and bluegrass bands, and by 1964 he was a member of Mother McCree's Uptown Jug Champions, along with Bob Weir, Ron "Pigpen" McKernan, and longtime associates Bob Matthews (who engineered Dead albums and formed the Alembic Electronics equipment company) and John Dawson (later of New Riders of the Purple Sage).
In 1965 the band became the Warlocks: Garcia, Weir, Pigpen, Bill Kreutzmann, and Phil Lesh, a former electronic-music composer. With electric instruments, the Warlocks debuted in July 1965 and soon became the house band at Ken Kesey's Acid Tests, a series of public LSD parties and multimedia events held before the drug had been outlawed. LSD chemist Owsley Stanley bankrolled the Grateful Dead — a name from an Egyptian prayer that Garcia spotted in a dictionary — and later supervised construction of the band's massive, state-of-the-art sound system. The Dead lived communally at 710 Ashbury Street in San Francisco in 1966–67 and played numerous free concerts; by 1967's Summer of Love, they were regulars at the Avalon and Carousel ballrooms and the Fillmore West. MGM signed the band in 1966, and it made some mediocre recordings. The Dead's legitimate recording career began when Warner Bros. signed the band. While its self-titled 1967 debut album featured zippy three-minute songs, Anthem of the Sun (Number 87, 1968) and Aoxomoxoa (Number 73, 1969) featured extended suites and studio experiments that left the band $100,000 in debt to Warner Bros., mostly for studio time, by the end of the 1960s. Meanwhile, the Dead's reputation had spread, and they appeared at the Monterey Pop Festival in 1967 and Woodstock in 1969.
As the '70s began, the Dead recouped its Warner debt with three comparatively inexpensive albums — Live/Dead (Number 64, 1969) (recorded in concert at San Francisco's Fillmore West in February and March of 1969), Workingman's Dead (Number 27, 1970), and American Beauty (Number 30, 1970). The former featured extended psychedelic explorations, such as the classic "Dark Star," while in sharp contrast the latter two found the Dead writing concise country-ish songs and working out clear-cut, well-rehearsed arrangements. Workingman's Dead (including "Uncle John's Band" [Number 69, 1970] and "Casey Jones") and American Beauty (including "Truckin'" [Number 64, 1971], "Ripple," and "Box of Rain") received considerable FM radio airplay, sold respectably, and provided much of the Dead's concert repertoire.
With a nationwide following, the Dead expanded its touring schedule and started various solo and side projects (aside from the band members' own works, many Dead members also appeared on the half-dozen-plus albums Dead lyricist Robert Hunter began releasing in 1973). The group worked its way up to a 23-ton sound system and a large traveling entourage of road crew, family, friends, and hangers-on — most of whom would later become staff employees complete with health-insurance and other benefits, as the Dead evolved into an efficient and highly profitable corporation. The Dead finished out its Warners contract with a string of live albums including 1971's Grateful Dead, a.k.a. "Skull and Roses" (#25), which introduced more concert staples such as "Bertha" and "Wharf Rat." In 1973 the Dead played for over half a million people in Watkins Glen, New York, on a bill with the Band and the Allman Brothers. By then the group had formed its own Grateful Dead Records and a subsidiary, Round, for non-band efforts.
Europe '72 (Number 24, 1972) was the last album to feature keyboardist Pigpen, a heavy drinker who died in 1973 of liver disease. Keith Godchaux, who had played piano with Dave Mason, joined the band and brought along his wife, Donna, as background vocalist. The pair toured and recorded with the Dead until 1979, when they were asked to leave and were replaced by pianist Brent Mydland. The following year, Keith Godchaux was killed in a car crash in Marin County.
In 1974 the Dead temporarily disbanded while members pursued outside projects, but the group resumed touring in 1976. After signing with Arista, the group began to use non-Dead producers for the first time: Keith Olsen (Fleetwood Mac) for Terrapin Station (Number 28, 1977) and Little Feat's Lowell George for Shakedown Street (Number 41, 1978). In 1978 the band played three concerts at the foot of the Great Pyramid in Egypt, which were recorded but not released. Go to Heaven (Number 23, 1980) yielded "Alabama Getaway" (Number 68, 1980), like "Truckin'" and "Uncle John's Band," a minor hit single. The Dead's main support continued to be its touring six months out of each year. The band celebrated its 15th anniversary with the release of two more live albums, including the mostly acoustic Reckoning (Number 43, 1981).
The band took a hiatus from recording until 1987, during which time the Dead toured with Bob Dylan (one tour was recorded for the album Dylan and the Dead [Number 37, 1989]), while Garcia's health and personal habits made disturbing headlines: In January 1985 he was arrested for heroin possession in San Francisco's Golden Gate Park; in July 1986, 15 months after being in a drug treatment program and while touring with Dylan, Garcia collapsed into a five-day, near-fatal diabetic coma brought on by drug use. Once he recovered, the Dead made a triumphant return with In the Dark (Number Six, 1987), their first Top Ten album, yielding "Touch of Grey" (Number Nine, 1987), their first (and only) Top Ten single.
Two years later, however, trouble suddenly began following the Dead and its normally mellow army of Deadheads on tour. In April 1989 there were 55 arrests (mostly for drugs and disturbing the peace) and violent encounters with police at two Pittsburgh shows; and 70 arrests and reports of vandalism by Dead fans at three Irvine, California, shows. In October 1989 a college student died of a broken neck outside a Dead show at the New Jersey Meadowlands (his death was never explained, but an investigation cleared security guards of guilt); in December of that year a 19-year-old fan high on LSD died while in police custody for public intoxication at the L.A. Forum (the autopsy reported neck-compression during restraint, but police were cleared of any wrongdoing). As a result, the Dead recorded public service announcements imploring fans to act responsibly.
In July 1990 Mydland died of an overdose of injected cocaine and morphine. He was replaced by Vince Welnick, formerly of San Francisco's the Tubes; Bruce Hornsby, a Dead fan, sometimes sat in on piano during concerts as well. Welnick was not on the first two From the Vault albums, which issued old tapes of legendary Dead shows (from 1968 in L.A. and San Francisco, and from the latter in 1974). In September 1992 the bearish, chain-smoking Garcia was hospitalized with diabetes, an enlarged heart, and fluid in the lungs. The Dead was forced to postpone a tour until the end of the year; doctors put Garcia on a strict diet, exercise, and no-smoking regimen. The Dead returned to the road with a slimmer, fitter Garcia in mid-December 1992 with a series of Bay Area concerts.
That same year Garcia — whose paintings, often pastel watercolors, had been exhibited internationally — unveiled a line of designer silk neckties bearing his artwork. By then the massive catalogue of Dead merchandise also included skis and snowboards as well as T-shirts and even a line of toddler wear, as well as a burgeoning line of CD reissues of vintage live concerts. The Dead's tours in 1994–95 earned the band $52 million. In 1995 the Dead were inducted into the Rock and Roll Hall of Fame.
On July 9, 1995, Jerry Garcia played his last show with the Grateful Dead. One month later, he died in his sleep at Serenity Knolls, a rehabilitation center where he'd been combating his long-standing heroin addiction. The cause of death was reported as a heart attack. Shortly thereafter, flags flew at half-mast at the San Francisco City Hall to mark the passing of an era. Garcia is survived by four daughters and his third wife, Deborah Koons Garcia, whom he had married the year before. Four months later, the band officially retired.
The music, however, continued. After Garcia's death, archival material, notably in the form of Dick's Picks, live sets chosen initially by super-fan Dick Latvala, was released in abundance. And the band's members, in various conglomerations, resumed playing: Bob Weir with his band, Ratdog, Phil Lesh with Phil Lesh and Friends. In 1998, as the Other Ones, Weir, Lesh, Hart, and Hornsby headlined the Furthur Festival, reviving for many fans the Deadhead spirit. In 2003, the Other Ones changed its name to the Dead (leaving off the Grateful in deference to Garcia's passing), adding keyboardist Jeff Chimenti, guitarist Jimmy Herring, and guitarist/vocalist Warren Haynes to the tour lineup.
During their tenure with the Dead, the main members had worked at a number of side projects. Garcia's included session work with Jefferson Airplane and Crosby, Stills, Nash and Young. He formed New Riders of the Purple Sage in 1969 as a side project [see entry]. From 1970 to 1973 he played occasional gigs with Bay Area keyboardist Merl Saunders (captured on the Keystone albums), and he kept up his bluegrass banjo skills with Old & In the Way, which also featured Peter Rowan (Sectarian), Vassar Clements, and David Grisman. Garcia recorded his first solo album, Garcia, in 1972; the cover shows his right hand, which has been missing its third finger since a childhood accident. Garcia joined organist Howard Wales on the album Hooteroll, and he toured and recorded with various Jerry Garcia bands in the 1970s and 1980s, before recording with David Grisman (who'd played mandolin on American Beauty) for two acoustic albums. His last finished project was an album of children's music, Not for Kids Only (Acoustic Disc), released in 1993.
Weir's first solo effort was 1972's Ace, which featured most of the Dead backing him. During the Dead's sabbatical he formed Kingfish with ex–New Rider Dave Torbert; in the early 1980s Weir toured and recorded with Bobby and the Midnites, including drummer Billy Cobham (Mahavishnu Orchestra), bassist Alphonso Johnson (Weather Report), and guitarist Bobby Cochran (Steppenwolf). In 1991 Weir and his sister Wendy published Panther Dream, a children's book and companion audiocassette aimed at raising awareness of endangered rainforests — a cause the Dead had been supporting for several years through its Rex Foundation. In 1999 Weir completed a musical on the life of baseball legend Satchel Paige and continued working on digitizing the Dead song archives.
Phil Lesh teamed with electronic music composer Ned Lagin to record the atonal, aleatoric Seastones. Dead drummer Mickey Hart explored world music through his solo albums, with the Diga Rhythm Band, the Rhythm Devils (Hart and Kreutzmann composed incidental percussion music for the soundtrack of the film Apocalypse Now), and by producing albums by musicians from Africa, Asia, and South and Central America on Rykodisc. In 1991 Hart helped arrange a U.S. tour by the Gyuto Monks of Tibet. He also toured with his band, Planet Drum. By 2000, he'd written a book, Spirit Into Sound: The Magic of Music, and formed a new ensemble, the Mickey Hart Band.
Video Of The Grateful Dead Columbia Revolt 05-03-1968
Video Of The Grateful Dead At Woodstock 8-16-69 Part 1
Video Of The Grateful Dead At Woodstock 8-16-69 Part 2
The Grateful Dead - Dark Star - 08/27/72
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-Stereo
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The Human Be-In was a happening in San Francisco's Golden Gate Park, the afternoon and evening of January 14, 1967. It was a prelude to San Francisco's Summer of Love, which made the Haight-Ashbury district a symbol as the center of an American counterculture and introduced the word 'psychedelic' to suburbia.
The Human Be-In focused the key ideas of the 1960s counterculture: personal empowerment, cultural and political decentralization, communal living, ecological awareness, higher consciousness (often achieved with the aid of psychedelic drugs), and liberal political consciousness. The hippie movement developed out of disaffected student communities around Stanford and Berkeley and in San Francisco's beat generation poets and jazz hipsters, who also combined a search for intuitive spontaneity with a rejection of 'middle-class morality.' Allen Ginsberg personified the transition between the Beat and hippie generations.
The Human Be-In took its name from a chance remark by the artist Michael Bowen made at the Love Pageant Rally. The playful name combined humanist values with the scores of sit-ins that had been reforming college and university practices and eroding the last vestiges of entrenched segregation, starting with the Woolworth's lunch counter sit-in of 1960 in Greensboro, North Carolina. The first major teach-in had been organized by Students for a Democratic Society at the University of Michigan, 24-25 March 1965.
The Human Be-In was announced on the cover of the fifth issue of the San Francisco Oracle as "A Gathering of the Tribes for a Human Be-In." The occasion was a new California law banning the use of the psychedelic drug, LSD that had come into effect on October 6, 1966.
The speakers at the rally were all invited by Bowen, the main organizer. They included Timothy Leary in his first San Francisco appearance, who set the tone that afternoon with his famous phrase "Turn on, tune in, drop out" and Richard Alpert (soon to be more widely known as 'Ram Dass'), and poets like Allen Ginsberg, who chanted mantras, and Gary Snyder. Other counterculture gurus included comedian Dick Gregory, Lenore Kandel, and Jerry Rubin.
The Hells Angels, at the peak of their 'outlaw' reputation, corralled lost children. Music was provided by a host of local rock bands including Jefferson Airplane, The Grateful Dead and Quicksilver Messenger Service, who had been staples of the Fillmore and the Avalon Ballroom since February 1966, and 'underground chemist' Owsley Stanley provided massive amounts of his "White Lightning" LSD, specially produced for the event, to the gathered masses.
The national media were agog. No one was able to agree whether 20,000 or 30,000 people showed up. Soon every gathering was an '-In' of some kind: Rowan and Martin's Laugh-In comedy television show began airing over NBC just a year later, January 22, 1968.
The 'Human Be-In' was later recalled by Allen Cohen (who assisted the artist Bowen in the organizational work,) as a necessary meld that brought together philosophically opposed factions of the current San Francisco-based counterculture: on one side, the Berkeley radicals, who were tending toward increased militancy in response to the U.S. government's Vietnam war policies, and, on the other side, the rather non-political Haight-Ashbury hippies, who urged peaceful protest. Their means were drastically different, but they held many of the same goals.
According to Cohen's own account,his friend Bowen provided much of the "organizing energy" for the event, and Bowen's personal connections also strongly influenced its characterThe counterculture that surfaced at the 'Human Be-In' encouraged people to 'question authority' in regard to civil rights, women's rights, and consumer rights, and shaped its own alternative media: "underground" newspapers and radio stations.
Video Of The Human Be-In on January 14th 1967
More Video Of The Human Be-In on January 14th 1967
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-Stereo
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